Promoters should be handled with more consideration regarding booking fees and expenses to ensure the long-term sustainability of the music industry.

“So as a agent I can tell you bro the fees are too much. You know what I mean? Be a little bit more considerate for the promoters when you're going have to pay the booking fee, the fe the um airplane the flights rather the hotel, the piums, transportation, security.”

He argues that an artist who has successfully established their own business and infrastructure does not necessarily require a manager.

“at the end of the day is like this if all the money come to me why the [ __ ] am I paying you so you could you could do it [ __ ] like this - you're my manager for the money you bring in so if you bring some money in you get something that you get but I'm not gonna break her a [ __ ] deal”

He asserts that while young artists often need management to provide guidance and structure, established artists should re-evaluate the necessity of paying management fees.

“for the young artists a lot of times they be needing a guidance for older artists it'd be like mmm I make all the money myself about the [ __ ] would I be giving you 15 20 percent”

Mase asserts that he was not adequately compensated or respected during his time at Bad Boy, which led to his frustration and eventual departure.

“I never got paid what I was worth. And I never got the respect I was worth. So the disdain that I got for Puff is more like you trying to keep me here, [ __ ] I'm not here. All my peers is up here.”

Dave Portnoy believes there is likely an undisclosed reason for the sudden departure of multiple high-profile artists from Scooter Braun's management firm.

“they must clearly all know something that's going to come out right that's what I was thinking like it's got to be like uh they know something's coming out and they all want to separate before right”